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The essence of the ego is cosmic-divine
Lecture 2 of 6
Rudolf Steiner, Dornach, June 1, 1923
One result of anthroposophical spiritual science—once it has been absorbed into civilization—will be a fructification of the arts. Precisely in our time the human inclination toward the artistic has diminished to a marked degree. Even in anthroposophical circles not everyone thoroughly comprehends the fact that Anthroposophy strives to foster, in every possible way, the artistic element.
This is of course connected with modern man's aforementioned aversion to the artistic. Today the positive way in which Goethe and many of his contemporaries sensed the unity of spiritual life and art is no longer experienced. Gradually the conception has arisen that art is something which does not necessarily belong to life, but is added to it as a kind of luxury. With such assumptions prevailing, the upshot is not to be wondered at.
In times when an ancient clairvoyance made for a living connection with the spiritual world, the artistic was considered absolutely vital to civilization. We may feel antipathy for the frequently pompous, stiff character of Oriental and African art forms; but that is not the point at issue. In this and further lectures we shall be concerned, not with our reaction to any particular art form, but rather with the way in which man's attitude places all the arts within the framework of civilization. The necessity is to see a certain connection between today's spiritual life and the attitude toward art previously alluded to.
If today, as is customary, one sees man as the highest product of nature, as a being brought forth at a certain point in earthly evolution (part of an evolutionary series fashioning a variety of beings), one falsifies the position of man in respect to the world; falsifies it because man has, in truth, no right to the self-satisfaction which would enter his soul, inevitably, as an elemental impulse of soul, if he were indeed only the terminal point of natural creation. If the animals had developed in the way currently assumed by natural science, then man, as the highest product of nature, would have to content himself with this status in the cosmos; he would have no call whatsoever to create something transcending nature.
For instance, if in art one wishes to create, as the Greeks did, an idealized human being, one has to be dissatisfied with what nature offers. For, if satisfied, one could never inject into nature something which surpasses her. Similarly, if satisfied with the nightingale's and lark's song, one could never compose sonatas and symphonies; such a combination of sounds would seem untrue; the true, the natural, being exhaustively expressed by the birds.
The naturalistic world-conception demands that those who wish to create something content themselves with imitations of the natural. For it is only when we envisage a world other than the natural one that we can see a transcending of nature as anything but dishonesty and sham.
We must grasp this fact. But present-day human beings do not draw the logical conclusion from naturalism as it affects the arts. What would happen if they did? They would have to demand that people imitate nature; nothing else. Well, but if a Greek prior to Aeschylus had been shown a mere imitation of nature, he would have said something like this: “Why all that? Why let actors speak as people do in everyday life? If you wish to hear such things, go into the street. Why present them on the stage? It is quite unnecessary. The street is a far better place to find out what people say to one another in ordinary life.” In other words, only a person who participates in spiritual life has an impulse for a creative activity transcending the merely natural. Otherwise, where would the impulse come from? In all ages the human souls in which the artistic element flourished have had a definite relation to the spiritual world. It was out of a spirit-attuned state that the artistic urge proceeded. And this relation to the spiritual world will be, forever, the prerequisite for genuine creativity. Any age strictly naturalistic must, to be true to itself, become inartistic, philistine. Unfortunately our own age has an immense talent for philistinism.
Take the individual arts. Pure naturalism can never create an artistic architecture, a high art of building. Today the “art” of building leads away from art. For if people do not have a longing to assemble in places where the spiritual is fostered, they will not construct houses suitable for spiritual impulses, but merely utilitarian buildings. And what would they say of the latter? “Well,” they would say, “we build in order to shelter our bodies, to protect the family; otherwise we would have to camp out in the open”—the idea of utility being primary. Though such an attitude is not, perhaps, because of embarrassment, generally admitted, it is admitted in particular cases. Today many people are offended if the architect of a residence sacrifices anything of expediency to the principle of the beautiful, the aesthetic; and one often hears the statement: “To build artistically is too expensive.” People did not always think like that; certainly not in those ages when human souls experienced a kinship with the spiritual world. Then the feeling about man and his relation to the universe found expression in words somewhat like these: “Here I stand in the world, but as I stand here with a human form in which dwell soul and spirit, I carry within me something which has no existence in purely natural surroundings. When soul and spirit leave this body, then the relation between it and my physical environment will become manifest; this environment will consume my corporeal part. Only on a corpse do the laws of nature take effect.” Which is to say that as long as the human being is not a corpse, as long as he lives here on earth, he can, through his spiritual heritage, through soul and spirit, preserve from the action of physicality the substances and forces which the corpse will eventually claim.
I have often remarked that eating is not the simple process ordinarily imagined. We eat, and the foods entering our organism are products of nature, natural substances and forces. Because they are foreign to us, our organism would not tolerate them if we could not transform them into something totally different. The energies and laws by means of which food is changed do not belong to the physical earthly environment. We bring them with us from another world. These facts and much else were recognized, understood, when people had a relationship with the spiritual world. Today, however, human beings think it is the laws of nature that are active in the roast beef when it rests on the plate, when it touches the tongue, when it has reached the stomach, intestines, blood; they see the laws of nature active everywhere. The fact that roast beef encounters spirit-soul laws which man himself has brought from another world into this one, and which transform it into something completely different—this fact has no place in the consciousness of a merely naturalistic civilization. Paradoxical as it may sound, materialists feel embarrassed to state bluntly the above. Yet they live with this attitude of mind.
It affects our whole artistic attitude. For, in the final analysis, why do we build houses for ourselves today? To be protected while eating roast beef! Well, this is only one detail. But all contemporary thinking tends in that direction.
By contrast, human beings of the past who had a living consciousness of their relationship to the spiritual universe erected their most valuable buildings to protect the human soul against inroads from their physical environment. Of course, when I use modern words in this connection they sound paradoxical. In ancient times people did not express themselves so abstractly. Things were felt, they were sensed subconsciously. But people's feelings, their unconscious sensations, were spiritual. Today we clothe these feelings in well-defined words which convey, not inadequately, what souls experienced in more ancient times. They were aware that, when a man has passed through an earth life, he lays aside his physical body; whereupon soul and spirit must find their way back into the spiritual universe. Consequently, these people were concerned as to how a soul fares after death: how it can find its way back into spiritual worlds.
Today people do not worry about such things, but there were times when this problem of means was a fundamental concern; when (for this is pertinent) people said to themselves: Outside, there are stones; outside, there are plants; outside, animals. When absorbed by man, substances derived from stones, plants, animals, are worked over by the physical body. Its spiritual forces can overcome some minerals—for example, salt. Similarly, it possesses the spirit-soul forces necessary for the overcoming of purely plant constituents, and can transform the animal element into the human element. All of which points up the fact that the physical body is a mediator between the human being who comes down from spiritual worlds and this so alien earth. Thanks to the physical body we can stand upon this earth; can exist among minerals, plants and animals.
But when the physical body has been laid aside, then the naked soul enters a state fitted only for the spiritual world; and having laid aside its body must ask: How can I pass through the impurity of the animals in order to escape from earthly regions? How pass through the plant element which absorbs, attracts and condenses light? How—accustomed to living amid earthly plant-condensed light—pass out into far reaches of quite another condition of light? How, when I can no longer dissolve them through body-juices, pass beyond the soul-impeding minerals massed on every side?
In ancient times, during mankind's evolution, these were religious-cultural anxieties. People pondered on what they had to do for souls, especially dear ones, to help them find the lines, planes, forms, by means of which they could reach the spiritual world. Thus was developed the art of erecting burial vaults, monuments, mausoleums, which embodied in their forms, their lines and planes, that which the discarnate soul requires if it is to be unimpeded by animals, plants and minerals when ready to find its way back to the spiritual world.
These edifices took their characteristic forms directly from the cult of the dead; and if we wish to comprehend how they arose, we must try to understand how the soul, deprived of its body, finds its way back to the spiritual world of its origin. The belief prevailed that, because the soul has a certain relation to the discarded body, it can find the path out into the world of spirit through the architectural forms vaulting above it.
This conviction was one of the fundamental impulses behind the development of ancient architectural forms. Insofar as these forms were artistic and not merely utilitarian, they took their rise from edifices for the dead. In other words, artistic construction was intimately connected with the cult of the dead; or, as in the case of Greece, with the fact that each temple was built for Athena, Apollo or some other god. For just as the human soul was thought to be incapable of unfolding amid minerals, plants and animals, so the divine-spiritual natures of Apollo, of Zeus, of Athena, were thought to be incapable of unfolding amid external nature unless the spirit of man created for them certain congenial forms. Only if we study the way the soul is related to the cosmos can we understand measurements and proportions in the complicated architectural forms of the ancient Orient; forms which are living proof of the fact that the human beings from whose imaginations they sprang said to themselves: “Man in his inner being does not belong to the earth; he is of another world, therefore needs forms which belong to him in his character as a native of that other world.”
No true historical art form can be understood from merely naturalistic principles. To understand we must ask: What lies behind and is inherent in it? For example, here is the human body, the indwelling human soul. The soul, through its inherent nature, desires to unfold in all directions; and the way it would unfold, disregarding the body, the way it desires to carry its being out into the cosmos, becomes an architectural form.
O soul, if you wish to leave the physical body in order to regain a relationship with the cosmos, what aspect will you take on?—this was the question. The forms of architecture were, so to speak, answers.
Within the evolution of mankind this impulse toward outer expression of inner needs continued to work for a long time. But of course today, during the age of abstractions, everything takes on a different appearance. Which does not mean that we should wish to retrieve the past; only to understand it.
Another custom of the past, though not a very ancient past, asking to be understood: churches surrounded by graves. Not every person could have an individual tomb; the church was the common mausoleum. Therefore it was the church which had to answer, through its form, the ancient question of the soul: How [to] unfold, how [to] escape in the right way, from the body connecting me with the physical world? Ecclesiastical architecture bodies forth, as it were, the desire of the soul for its right after-death form.
To repeat: past cultural elements can be understood only in connection with the feelings and intuitions which people had out of the spiritual world. To understand a cemetery-surrounded church we must develop a sense for the feelings which lived in the original builders when they asked: Dear souls leaving us in death, what forms do you wish us to erect so that, while still hovering near your body, you can take them on and be helped? The answer was ecclesiastical architecture, the artistic element in which was directed toward the end of earth life. Certainly, all this undergoes a metamorphosis. What proceeds from the cult of the dead can become the highest expression of life (as in what we attempted for the Goetheanum). But one must understand things; must understand that architecture unfolds out of the principle of the soul's escape from the body, out of the principle of the soul's growing beyond the body, after passing through the portal of death.
And if we look in the opposite direction, toward birth, toward man's passage from the spiritual into the physical world, then I must tell you something which may make you smile, a little, inwardly; or, perhaps, you won't smile; in which case I would say, Thank goodness! For what I am going to say is true. You see, when the soul arrives on earth in order to enter its body, it has come down from spirit-soul worlds in which there are no spatial forms. Thus the soul knows spatial forms only after its bodily experience, only while the after-effects of space still linger on.
But though the world from which the soul descends has no spatial forms or lines, it does have color intensities, color qualities. Which is to say that the world man inhabits between death and a new birth (and which I have frequently and recently described) is a soul-permeated, spirit-permeated world of light, of color, of tone; a world of qualities, not quantities; a world of intensities rather than extensions. Thus in certain primitive, almost-forgotten civilizations, they who descended and dipped into a physical body had the sensation that through it he entered into relation with a physical environment, grew into space. To him the physical body was completely attuned to space, and he said to himself: “This is foreign to me, it was not so in the spirit-soul world. Here I am under the joke of three dimensions [While the book says joke, a better translation of ‘hineingespannt’ might be yoke! – e.Ed.]—dimensions which had no meaning before my descent into the physical world. But color, tone harmonies, tone melodies, have very much meaning in the spiritual world.”
In those ancient epochs when such realities were sensed, man had a strong desire not to take into his being what was essentially foreign to him. At his most perceptive, he sensed that his head had been given him by the spiritual world. For, as I have often remarked, our trunk and limbs in one life become our head in the next; and so on, from life to life. Ancient man felt the adjustment of his lower body to gravity, to the forces circling the earth; felt its imprisonment in space; and felt that what entered his physical body from his environment did not befit him as a human being bearing, within, an impulse from spiritual worlds. He must do something to bring about a harmonization with his new home.
That was why he carried down from spiritual worlds the colors of his garments. Just as, in ancient times, architecture pointed to the end of earth life, to the death-pole, so in times when man had a sense for the artistic meaning of the colors and styles of dress, the art of costuming pointed to the beginning of human life, to the birth-pole.
Thus (I repeat) ancient garments reflected something brought down from pre-earthly existence, reflected a predilection for the colorful, for harmony; and we need not be astonished that at a time when insight into the pre-earthly has withered, the art of costuming has shriveled into dilettantism. For modern clothing hardly conveys the feeling that man wants to wear it because of the way he lived in pre-earthly existence. But if you study the characteristically vivid garments of flourishing primitive cultures you will see that clothing is or can be a fully justified and great art through which man carries something of his pre-earthly life into earth life; just as, through architecture, he would receive impressions relevant to space-free, post-earthly conditions.
Peoples who still wear national costumes express, through them, the pre-earthly relationships which led them into a certain folk community. Their garments remember, as it were, their appearance in heaven.
Often, to find meaningful costumes, you must go back to more ancient times. And you will see not only that there flourished, then, painters, sculptors, and so forth, but that people of other occupations, during the whole period, were highly artistic.
If you look at Raphael's paintings, you will see that Mary Magdalene and the Virgin Mary are clothed quite differently; also that in all his works Raphael gives Mary Magdalene—essentially—her characteristic garment, and the Virgin Mary hers. He did this because he still experienced in living tradition the fact that a soul-spirit being, brought down from heaven, expresses himself through his garments.
Here lies the meaning of costuming. Modern man may say that clothes derive significance through the fact that they provide warmth. Well, certainly, that is one of their materialistic meanings. But it creates no aesthetic forms. Artistry arises always and only through a relation to the spiritual.
This mode in which things stand to the spiritual must be found again if we would penetrate to the truly artistic. And since Anthroposophy takes hold of the spiritual in its immediacy, it can have a fructifying influence upon art. The great secrets of the world and of life which must be revealed out of anthroposophical research will prove to be artistic; will culminate in art.
In this connection we must perceive something anatomical, already referred to. That part of the human organism which was not head during one earth-life transforms itself, dynamically, into head in the subsequent life. Then (this is self-evident) it is filled out with earth-substance. I have often explained that we must not make the silly objection: The physical body having perished, how can a head arise from it? The other objections brought against Anthroposophy are not, as a rule, much more clever; and this one is really cheap. But we are not concerned, here, with the physical filling out; only with a force relationship which can pass through the spiritual world. The relationship of forces which today inheres in all parts of our physical organism below the head (whether those forces move vertically or horizontally, whether they are held together or expand) has a spherical tendency, becoming thereby the force relationship of our head in our next earth life. When the metamorphosis of legs, feet and so forth into head takes place, the higher hierarchies cooperate. For all heavenly spirits work together. Small wonder, then, that the top of the head appears as an image of the vast space arching spherically above us. And that the adjacent area is an image of the atmosphere circling round the earth; of atmospheric forces. One might say: In the upper part of the head we have a faithful image of the heavens; in the middle, an adaptation of the head to forces which triumph in the chest, to all that encircles the earth. For in our chest we need the earth-encircling air, need the light weaving round the earth, and so forth. The whole organism below the head has no form relationship to the head's spherical form—it has a relationship of substance, not of form; but our chest has a definite relationship to our nose, indeed to everything pertaining to the middle part of the head. And if we descend to the mouth, we find that it is related to the third member of the human threefoldness, namely, to the organism devoted to digestion, nutrition, and motion.
We see how what has passed through the heavens to become head on earth (out of the previous headless body-formation) is in its majestic spherical form adapted to the heavens; whereas the middle part comes from what man is through earth-encircling orbits; and the mouth's formation from what earthly man is through earthly substance and the power of gravity.
Thus, in terms of European mythology, the head of the human being contains, above, as it were, Asgard, the castle of the gods; in its middle part, Midgard, man's earthly home; and, below, what also belongs to the earth, Jotunheim, home of the giants.
These interrelationships do not become clear through abstract concepts; they become clear only if we perceive the human head artistically, in relation to its spiritual origin; only when we see in it heaven, earth and hell. Not hell as the abode of the devil; hell as the home of the giants, Jotunheim. There lives in the head the entire human being: a whole.
We look at a person in the right way if we see in the spherical form of the upper part of the head the purest memory of his previous incarnation; if we see in the middle part, in the lower portion of the eyes and in nose and ears, a memory dulled by the atmosphere of earth; and in the formation of the mouth, that part of his previous human formation conquered by earth, banished to earth. In the configuration of his forehead the human being brings with him, in a certain sense, what has been passed on to him karmically from his previous earth-life. In the formation of his chin he is conquered by the earthly life of the present age; he expresses gentleness or obstinacy in his chin formation. If his previous organization, minus head, had not transformed itself into his present head, he would not have a chin at all. But in the formation of mouth and chin all current earth impulses are so strong that they press and constrain the past into the present.
Therefore no artistic person will say: That human being is striking because of his prominent forehead. Rather, he will pay special attention to its spherical shape, to the formation of its planes. Its protrusion or recession is less important than its spherical shape.
In regard to the chin he will say: It is advancing, obstinate and pointed; or: It gently recedes. Here we begin to understand the form of man out of the whole universe; not merely out of the present universe—there we find little—but out of the temporal universe, then the extra-temporal.
Thus through anthroposophical considerations we are driven toward the artistic element, and see that philistinism is in no way compatible with a true and living apprehension of Anthroposophy. That is why inartistic people find it so difficult to come into harmony with the whole of this teaching. Though, abstractly, they might with pleasure recognize their present life as the fulfillment of previous earth lives, they are unable to enter intimately into the forms which reveal themselves in direct artistic fashion to spiritual perception, creating and transforming: a necessary activity for anyone desiring to unite with the essential living anthroposophical element.
This is the foundation I wished to lay down in order to show how the unspiritual character of our time manifests in the most varied spheres; among others, in a widespread unspiritual attitude toward art. If mankind desires to save itself from the unspiritual, one factor in its rescue will be a reversal of this position.
A true life in the artistic: to this desirable end Anthroposophy can show the way.
Source: June 1, 1923
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Sutrasana: Weaving A Thread Of Thought |
Rudolf Steiner, Dornach, Switzerland
First-Class Lesson #10
April 25, 1924
"The star-beset heaven becomes the great folio of the world, the tome on which the imaginative mysteries of world existence have been inscribed."
My dear friends! Included in esoteric development, and in true insight, is all that may be found along the way of a person’s attempting to attain an understanding of what it means to live and actually exist in a world in which the senses and the entire corporeal organization are not mediators, and so therefore to live in one’s spiritual-soul nature, which really is a person’s natural state as a member of the spiritual-soul world.
Now to this end, and in general to attain this, to live in the world in a spiritual-soul manner, to this end the multifaceted, more or less meditative soul-life exercises have come, exercises for our souls that are to be pursued vigorously and tenaciously. And a picture of this should be developed, of what a person’s soul can undergo along the way from an experience of the world of physical sensation, the world known through the senses, to an experience of the spiritual world. A picture should initially be developed in these class-sessions, by means of the various deliberations and individual verses appended to the deliberations, a certain picture that includes the possibilities and the prerequisites, from one to the next, of how they are enabled into becoming objects of meditation.
When, after the elapse of a certain time, these Class lessons, which really are impartations from the spiritual world, as I have very often already spoken about, these Class lessons will come together, so that what can be described in the lessons and accomplished through meditation, and it is a karmic fulfillment for those who can accomplish it, what can be accomplished through these meditations will come together as a clear picture and will become for you a first step in esoteric development.
And now it proceeds, from the very different considerations cultivated here in previous lessons, already put forth, how the person in this way can gradually lift himself out of his earth existence-awareness into an experience of being with the cosmos, the feeling, the development of an inner sense that can carry him to the ends of the world, to where the spiritual may be confronted. As long as a person shrinks from this, only entering into a relationship merely through reasoning and understanding with the things around him that are sense-perceptible, persisting in this manner, it is impossible, taking the soul-spiritual so lightly, it is impossible for him to truly connect to spirit-soulfulness, the content of which most certainly is the human approach to truth.
You see, my dear friends, as I have very often stressed, healthy human understanding can grasp it all. If one just exerts oneself with sufficient strength, free of preconceptions, one can grasp all that Anthroposophy will present. But straightaway in the pursuit of this apprehension by healthy human understanding, the question immediately comes to mind of whether any particular individual is in reality karmically called today to take part in Anthroposophy, or whether not.
You see, there are two possibilities. It may happen that a person hearkens unto the content of anthroposophical truth, and such a person may allow the content of anthroposophical truth to work effectively on himself, so as to find himself illuminated. It is of course self-understood, my friends, that all here present belong to this group of men and women. For those who do not belong to this group of men and women, but nonetheless somehow take part in the class as members, these people would certainly not be taking part honorably. And all, all initially rests on honor in esoteric life, on a person’s soul and spirit manner of being completely saturated with honor. There is another group of men and women, however, that finds what is offered by Anthroposophy to be fantasy, belonging more or less to the visionary realm. People in this group show, through their attitudes, that their karma does not align them with the others, with those who with healthy human understanding far removed from corporeality and the senses can grasp truth free of the senses, who can grasp inner knowing free of the senses.
Being bound together, either in having the sense in common of being bound to corporeality, or of having the sense of not being so bound, this certainly constitutes a great differentiation today between human beings. For if and when you honestly identify, innately within yourself, the sort of common sense grasped in Anthroposophy, then this common sense of Anthroposophy is grasped in its immediacy, regardless of one’s general liking for it. And this common sense, grasped honorably in Anthroposophy, is actually the beginning of esoteric pursuit. And one should really appreciate that attaining this common understanding is the beginning of esoteric pursuit. One should not overlook this point. When, by means of this attainment, one goes out and acts in accordance with this initiatory common understanding, which is given in this school, convened for this purpose, then one will be following the esoteric path ever more and more closely. As the case may be, someone may find this or that meditative verse given here personally suitable and applicable, and may utilize it. In doing this, however, one must do it in accordance with the given explanations and clarifications, which fully delineate and characterize the utilization of these meditative verses for inner human life.
Now today I would like once again to give something of a helpful nature, which can help to bring people out of their bodies, if only as a sort of jolt. I would like to give something that might not have been noticed or appreciated up to now.
It is about really perceiving quite a bit more deeply and good-heartedly. Although this can also happen merely in thoughts, it is about perceiving and taking note of the mineral environment around us, and of the plant environment, and of whatever else is in our immediate earth environment. It is about making ourselves directly aware of how this earthly environment is close to us. In relationship to us it is very close. It is about how we as people of earth, bearing our physical embodiment, are closely, very closely, related to everything around us, with everything that has mineral qualities, plant-like qualities, animal qualities, and so on. And so we might say, with inner honesty, we might ask ourselves the question, what is this all about? Why do I take on the physical substance of the earth after I have been born? Why do I keep dragging myself through earth existence from birth to death until my organism is no longer capable of struggling with its earth-bound material nature, until my physical life on earth comes to an end with death? In order to comprehend this personal human conundrum, we must seek out and perceive in-depth our closely associated physical surroundings. In doing this we will also come to know more and more what sort of departure point that esoteric life can be, for we will feel, in doing things in physical life upon the earth, we will feel that in reality we ourselves are blind, as if groping about in the dark.
And please consider carefully, my dear brothers and sisters, please consider carefully the people nurtured into adulthood today in the customary way. They are born, then they become situated in earthly life, and then they become known purely through the external relationships associated with this or that sort of work. They don’t really grasp the inter-relationships of their work with the whole of human existence. It probably doesn’t cross their minds at all, except in knowing that they work in order to eat. It doesn’t cross their minds, truth be told, that the plants they eat contain cosmic forces from the depths of space, forces that wend their way through the human organism, and in a certain sense, by eating they bring into being a cosmic inner development and progression. Most people today cannot identify at all with this first glance leading away from the materialism of the times. They stand firm, at least initially, in the simple observation of earth relationships, and in life they remain spiritually blind to what lives in the darkness, to what is the starting point of a true esoteric development.
And then one may then turn one’s glance away, turning from what lives all around about on the earth, whether engaged merely in thoughts or in the reality of it, one may then turn one’s glance up and out into the heavens, the heavens beset with stars. One gazes at the wandering stars, one gazes at the fixed stars, one is filled with and dwells in the unending grandeur out there confronting a person while gazing out at the world-all, at the universe. One says inwardly that as a human being, I am innately related to and interconnected with what is there resplendent in outer space, just as I am innately related to and interconnected with what surrounds me in the material world.
In reality, in this outward glance at the heavens beset with stars, we have the feeling of not just living in the darkness, but rather also of ourselves becoming free in living in the darkness, of our vaulting up with our spiritual-soul nature into and among the stars, vaulting ourselves out and up to what is in place there, to the stars in their grouped images. And please note, if a person can really and enthusiastically take up this viewing of the starry heavens, then the starry heavens will become an overabundance of imaginations. You have probably seen various old paintings, in which not merely starry groups are portrayed, but in which the star-groups are formed up together in animal symbols. Someone has drawn the group of stars standing in Aries or in Taurus not just as star-groupings, but rather as symbolic arrangements picturing a ram, a bull, and so forth.
Today people think that of course this was present as a free-form unfolding of the will of the ancient inhabitants of the earth, and due to the constellations having been called by these names, then the pictures were made accordingly. This was certainly not the case, but rather just the opposite, for in ancient times, the shepherds on the moors were not simply gazing out upon the star-beset heavens with physical eyes, but rather, they were also deeply immersed in dream-awareness or in sleep-awareness while out there with their herds, and they were wandering eyes-closed in soul out in the depths of space. And what they saw there was not just the star-groupings of visible observation. They took in the actuality, which was somewhat later differently portrayed in pictures. They took in the actuality of the imaginations, the actuality of the depths of space filled with truth.
Today, we can no longer return, creeping back to the instinctive clairvoyance just described in such a manner, to the actual experiences of simple shepherds of long ago. But we can do something else. With a great deal of concerted effort, we can place ourselves, whether in thoughts or in reality, into the starry heavens themselves. We can perceive the depths, and at the same time the enormity of majesty shining down upon us, presenting itself there before us as illumination. And we can come gradually to revere what spreads out there before us in the depths of space. And the reverence itself, the fervor of reverence, is what can call forth out of our souls an experience, an experience of the external sensory image of the stars being swept away and the starry heaven becoming an imagination for us. And then, when the starry heaven becomes an imagination for us, then we feel ourselves being taken up, up and along by our soul-gazing.
You see, up to the time of Plato, when gazing about, one still also felt something quite different in regard to the physical eyes. Plato himself described seeing in such a way, so that when looking out upon a man and seeing in the sense described by Plato, something flowed out from the eyes, a tracing of the man spread out, in ancient times, forming a spread-out connection. Something streamed forth from the eyes and encompassed the other person. The etheric streamed out. As when I stretch out my physical hand and grasp something, and I know in the grasping that with my physical hand I am connected, just so in the times of ancient instinctive clairvoyance, a person knew that etheric substance went out of the eyes and fastened upon what was being looked upon. Today a person merely believes that the eyes are here, and that what is seen is over there. Over there the seen object sends light-waves out through the intervening space, waves that impinge on the eyes, impinging in some way or another so as to be taken in by the soul. Please note that materialists most definitely speak of the soul, but it is placed way down within, and not at the forefront, and they speak of this impingement as somehow being taken in by the soul as truth. But this is not really the case. It is not simply a working into the person from what is present around him. It is also, quite definitely, an outward streaming of a human being’s inner etheric nature.
And we should take our etheric body as the truth in its connectedness to the great world around us, when the star-beset heaven becomes the great folio of the world, the tome on which the imaginative mysteries of world existence have been inscribed, if and when we have the ability to behold it.
The perception may come to us, however, that when present here upon the earth, present in this robust sensory reality, that in reality it is a sort of blindness. It is living in darkness. When your heart and mind soar aloft, you live within what otherwise just shines upon you from the great world all around. You live within the shining of the great surrounding world. But you take your own etheric existence-awareness out there into the broad flowing streaming of this shining of the world. You yourself go along with your etheric existence-awareness.
And the shining ceases to be a shining. It can no longer remain nothingness, when we ourselves sink completely into it. We extend our inner experience of reality out into this shining. And this experience (about which I have written) becomes an enmeshment, a weaving into the shining of the cosmos. Previously we lived blind in the darkness of earth existence. Now we live out there, our etheric existence-awareness having been woven into the shining of the cosmos.
So, we can have this experience, that we weave into the shining of the cosmos. Initially I will draw this as a picture: [It was drawn on the board.] the life of blindness in the darkness of existence-awareness on earth [as a white arch], living out and beyond in the far reaches of the world [gold rays], then the shining of stars at the end, in which world-imaginations can be perceived by us in reverence [red waves].
But having woven ourselves out and beyond, we are certainly out there now in our etheric nature within this imaginative fabric of the world. When we actually get to being within the imaginative fabric of the world, we are certainly no longer in our physical bodies. We have struggled through the empty ether into the experience of world-imaginations.
It happens straightforwardly, you see, as when someone here in the physical world writes something down, and having learned to read, then just reads it. Through our weaving out and beyond into the cosmos, since the gods have inscribed for us world-imaginations in the cosmos, we arrive there and we see these world-imaginations from the other side [drawn as arrows in the first drawing]. We live first here upon the earth [second drawing, in the inner circle], then we soar aloft up to world-imaginations [second drawing, outside the wavy circle], but there we read from the outside.
Yes, my dear friends, brothers and sisters, the zodiac speaks a meaningful speech, if and when looked upon from the other side and not from the earth. It speaks as Ares the Ram, Taurus the Bull, Gemini the Twins, Cancer the Crab, and Leo the Lion, if and when one encompasses it from the outside. And for our understanding, it is a deed, this encompassing of it from the outside. And we begin to read the mysteries of the world. And what we read are the deeds of high spiritual beings. In a novel we read about the deeds of men and women. When looking and seeing things from the other side of the zodiac, things are seen otherwise than as seen from the earth outward, as seen by Moses, who always looked upon God merely from behind, from the earth outward. Initiation consists of seeing from the other side. It is not merely a sort of outward gazing. It becomes a reading. And what one reads are the spiritual deeds of the high spiritual beings, who have brought it all into its present state.
And when we read in this silence sufficiently long, when we nourish and broaden our souls inwardly in this reading, then we may begin to hear in a spiritual manner. Then the gods speak to us. Then we dwell within the spiritual world, when the gods speak to us.
Now look, my dear brothers and sisters, it can be done, as the adept can tell you; the soul can broaden itself out and beyond, can be enmeshed in the depths of the cosmos, can come to world-imaginations, can gaze from the other side upon the deeds of gods. It is so; it is possible to hearken in a spiritual manner unto the gods’ speech. But perhaps someone really gets to the state the adept has described, really deepening, deepening oneself in understanding, deepening oneself in full-blooded courage, deepening in the heart, not simply approaching it stubbornly, not merely saying, well, if I could do it, well, then it would also please me, it would interest me, but I can’t worry about it now. When someone quite differently really takes this description up, takes it up as something that is actually possible, when one begins to take it up as something not just to be considered, but to be revered and loved, then one can take it up as a meditation. Ever and again it then becomes one’s way, finally, to actually come into the esoteric life.
And you will find this way, if and when in meditating you deepen yourself in the words [The first lines were written on the board.]
1. I live in the dark domain of earth,
2. I move 1 in the shine of the stars,
3. I read in the spirit’s deeds,
4. I hear in the god’s speech.
With the necessary feeling this inner meditative way is lived, experienced, works wonders in, and transforms the human soul. It must flow rhythmically again and again through the soul, for it actually leads a person through to his own world-being, contained within himself.
But it is necessary that it should come to light within properly, so that after one has spoken it quite a while in one’s head, it should also be taken up by, should start coursing within, one’s heart, for it is there that one makes the journey out into the etheric world-all, and then into the spiritual world-all on the other side of the etheric world-all. It is necessary, in coursing along such a pathway, to take one’s heart along in one’s experiencing, and to allow it to rule, to allow one’s heart to rule in the perceiving, so that it can join according to its nature in the translation of oneself out and beyond. But in coming into ruling our perceptions properly in this way, it is good initially, in traveling along this whole meditative pathway, it is good thoroughly and inwardly to observe what lies in these words.
I live in the dark domain of earth,
I move in the shine of the stars,
I read in the spirit’s deeds,
I hear in the god’s speech.
You should try to imagine this as if someone were speaking to you from a great spiritual distance, as if you were not thinking it, but rather as if you were listening to and hearing another being speaking to you. One should imagine, really imagine, that another being is speaking to you out of unknown depths. Then the right feeling may be developed for what one hears here. This proper feeling lives in the second part of the verse. [The second part of the verse was written on the board.]
5. Yearning fills me in earth’s darkness,
6. Comforting me is the stars’ shine,
In that I am aware, that most certainly I am living upon the earth in the darkness as if blind, then I yearn to get out. Out there, the shining of the stars is my consolation, broadening my very existence.
Comforting me is the stars’ shine,
Now from the other side,
7. Teaching me are the spirits’ deeds,
And when I read them,
8. Making me2 is the gods’ speech.
Now you know how to utilize this correctly. Call this inner meditation up with vigor into your heart and mind as you are employing it. As if out of depths of spirit, as if someone were speaking to you, in this manner listen to and hear the lines of the upper verse, bringing to bear on each line the corresponding feeling, so that you experience in the meditation the following: first listen carefully to it, then bring it vigorously to the forefront of your heart and mind as a perception, then again listen carefully, and again bring it vigorously into your heart and mind, … and so forth. [During the speaking of the following lines, connecting lines consisting of long curves were drawn on the board connecting lines 1 and 5, 2 and 6, 3 and 7, and 4 and 8.]
I live in the dark domain of earth,
Yearning fills me in earth’s darkness,
I move in the shine of the stars,
Comforting me is the stars’ shine,I read in the spirit’s deeds,
Teaching me are the spirits’ deeds,I hear in the gods’ speech,
Making me is the gods’ speech.
This meditation is at first a dialogue, a meditation in which the first line is always taken objectively, while the second streams out as a feeling from the heart.
Then, while trying once again to bring them to the forefront, enmeshed and working in each other, try to experience with moderate force of will the experience contained within the dialogue. [The third part of the verse was now developed and written as lines 9, 10, 11, and 12.]
From depths of spirit sounds forth:
I live in the dark domain of earth,
The heart answers:
Yearning fills me in earth’s darkness,
And the will perceives the impulse in the dialogue between lines 1 and 5:
9. The earth’s darkness would put me out, 3
Then one remembers back, after having progressed through this dialogue, to the interchange between lines 2 and 6, and to the experience contained within:
I move in the shine of the stars,
Comforting me is the stars’ shine,
10. The stars’ shine would wake me. 4
Then one remembers back, while carrying all this, to what sounds forth from spirit depths, and the answer of heart-felt courage:
I read in the spirit’s deeds,
Teaching me are the spirits’ deeds,
And the resultant experience by means of the will:
11. The spirits’ deeds would summon me, 5
distantly from the spiritual world. And now the most sublime, wherein one feels in dialogue with the gods themselves, wherein the gods not merely allow a reading, but rather actually speak:
I hear in the gods’ speech,
Making me is the gods’ speech.
12. The gods’ speech would deliver me. 6
It not only witnesses me, it begets, it brings forth, engenders, delivers me.
Now let us envision the entire meditation. The meditation in its entirety progresses as a dialogue, line for line, with one in dark spiritual depths under the dominion of spiritual beings, standing there in the lines at the top of the verses, speaking to us. The heart always gives answer:
I live in the dark domain of earth,
Yearning fills me in earth’s darkness,I move in the shine of the stars,
Comforting me is the shine of stars,I read in the spirit’s deeds,
Teaching me are the spirits’ deeds,I hear in the gods’ speech,
Making me is the gods’ speech.
Now I remember each individually and connect the outflow of the will to it, as a memory of what has already happened.
I live in the dark domain of earth,
Yearning fills me in earth’s darkness.
The earth’s darkness would put me out.I move in the shine of the stars,
Comforting me is the stars’ shine.
The stars’ shine would wake me.I read in the spirits’ deeds,
Teaching me are the spirits’ deeds.
The spirits’ deeds would summon me.I hear in the gods’ speech,
Making me is the gods’ speech.
The gods’ speech would deliver me.
This is the correct way to proceed, to come to the stage of the dialogue in the meditation, the dialogue in memory, and then by means of the will to a reinforcement of this memory.
When one actually starts with an inward demeanor of devotion, doubly so, with one’s entire soul inwardly constituted and brought into conformity with what I have just written, when one inwardly envisions it and begins to experience it, when one takes it up not as a mechanical meditation, but rather as a true experience of the soul, then setting things up in this way specifically awakens a relationship of the soul with the spiritual world.
One must really appreciate, however, even in the last set of verses, the specific manner I have just described. It should be experienced as discourse and answer, the discourse of the spirit and the answering discourse of the heart. But one must properly appreciate that initially one’s awareness, which will certainly be attained, is extinguished through the darkness of earth. One must feel as if awareness is overcome, in an instant of extinguishing sleep, and as if there in the second line there is an awakening, as if after the awakening, the calling of the gods to return to them is heard by us, as if one feels, henceforth, that the gods are calling out to us. They are summoning us, out of their own being’s word emerging from the word of worlds, in order to place us as beings of soul and spirit in the spiritual world, there to bear us, there to bring us forth, there to engender us.
When these nuances of inner experience are played out in soul, attention centered on the spiritual beings who speak to us, our heart’s vitality brought forth in devotion to the spiritual beings, then yes, then our souls are in motion, and gradually our souls are in fact brought onto the esoteric path. And we must be clear, as we experience the three stanzas in our souls, as well as we are able, in the manner described, we must be clear that something subliminal, yet powerful, is coming into being in our souls. If we would only live faithfully in these three stanzas, as I have described, our soul would thereby be fashioned, unbeknownst to us, so that when the first line is intoned, we would be just at the point of origin of life on earth, where the etheric body has just been constituted.
Were we to picture this with quick inner vitality, then it would sound forth from the spirit.
I live in the dark domain of earth,
Then more or less unconsciously we hearken unto and approach in spirit the moment our etheric body was constituted. And out of pre-earthly existence, out of the existence between death and a new birth, a force is working in our hearts, which we bring to bear in simple purity.
Yearning fills me in earth’s darkness.
And yearning after the spiritual is without doubt a legacy of ours from pre-earthly existence. And it is always the same, when placed at the beginning of earth existence, what is felt within the heart and works outwardly, that is what flames up in us from pre-earthly existence.
I move in the shine of the stars,
Here we again align with the beginning of our life on earth. The proper consolation, perceived by us, can be given to us by the shining of the stars. Through it, we will be placed back into our hearts’ answer.
Comforting me is the stars’ shine.
Again, there is a return to one’s beginnings on earth:
I read in the spirits’ deeds,
The heart remembers being instructed by high spiritual beings in pre-earthly existence.
Teaching me are the spirits’ deeds,
under whose care and among whom I lived and moved, before I descended down upon the earth.
I hear in the gods’ speech.
We hearkened unto the gods between death and a new birth. We perceive now that what is spoken by the gods is not to be imparted as that which is spoken by men and women. We bear witness, we recognize7 that the gods’ speech is fashioning, creating, quickening, making:8
Making me is the gods’ speech.
Finally, if and when we can appreciate it, then the right sense also comes into lines 9,10,11, and 12.
I live in the dark domain of earth,
Yearning fills me in earth’s darkness.
[Line 9 was written down once again, just to the right of the curved line connecting lines 1 and 5 together.]
The earth’s darkness would put me out,
it puts out, extinguishes my present earth-life, as I am transported back past the time between death and being reborn, back into my earlier incarnation. Then I understand, this is why my awareness has been extinguished, for until now my awareness was that of the present incarnation. The moment I fall asleep I will be transported back again, so that I can divine and sense myself moving within my earlier earth-incarnation.
I move in the shine of the stars, Comforting me is the stars’ shine,
[Line 10 was written down once again, just to the right of the curved line connecting lines 2 and 6 together.]
The stars’ shine would wake me,
I will be placed back as I was then, as I was in the preceding incarnation, if it were to wake me. For me, it depends on karma, it depends on what is appropriate for my destiny, for me it depends on the other side.
I read in the spirits’ deeds,
Teaching me are the spirits’ deeds.
[Line 11 was written down once again, just to the right of the curved line connecting lines 3 and 7 together.]
The spirits’ deeds would summon me,
summon me to the fulfillment of my karma, with the forces that stem from my prior life on earth.
I hear in the gods’ speech.
Making me is the gods’ speech.
[Line 12 was written down once again, just to the right of the curved line connecting lines 4 and 8 together.]
The gods’ speech would deliver me.
All that I am becomes clear to me, when into my present existence, my earlier earth existence floods in, gleams, moves, rumbles, becomes enmeshed. Then there I am. At first, I am present merely as a future becoming, germinative, only to achieve full apparency when eventually passing through the portal of death. Then from the previous earth existence into the present something gleams, interpenetrates, works effectively, making me into the human being I really am, summoning me to be the human being I really am.
Thoroughly infused with this, with its reality, so that really, while we seem to be in the customary world of physical earth existence, our soul takes the journey back, back until it arrives at the former earth life, then we will come to know the importance of what we experience in such a thing. And in the awareness of this importance, that as a gleaming-stream washes through the whole of our thinking, feeling, and willing, in this awareness we will then be infused in our meditation with the feeling of enchantment. This enchantment is essential, for in this way the meditation works effectively in the right way. One may name it an inner feeling of enchantment, a magical feeling, on the grounds that nowhere else on the earth do we find such a comparable feeling, for this feeling is totally disconnected from all corporeality. Even if we cannot yet come out of the physical body with our thinking, with our imagination, this feeling of enchantment, this magical feeling that we experience, coming out of the importance of all that we are doing soulfully, this stands there in the pure spiritual world. In this feeling of enchantment, in this magical feeling, we experience the pure spiritual-soulful element. There we stand, drawn into the spiritual-soulful world.
In such manner, as we experience it, esoteric striving is fulfilled for us. And that, for the time being, that is what I have attempted to lay before your souls today, my dear brothers and sisters.
Ich lebe in dem finstren Erdbereich, Sehnend stimmt mich der Erde Finsternis, Der Erde Finsternis verlöschet mich, | I live in the dark domain of earth, Yearning fills me in earth’s darkness, The earth’s darkness would put me out, |
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Source: April 25, 1924
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